For example, if you had never used the High Pass filter before and someone asked you what it does, what would you tell them? "Well, it's a filter that passes high over the image." That may sound technically impressive (sort of, I think), but what does it mean? I sure wouldn't know. One of the reasons why learning Photoshop can seem nearly impossible sometimes is because we tend to get stuck on the names of things rather than focusing on what they do. Check out our Sharpen Images With The High Pass Filter tutorial for more information. I say "advanced" not because it's somehow difficult or complicated to use but because it usually gives you better sharpening results than you'd get by using Photoshop's classic Unsharp Mask filter. If you're familiar with the High Pass filter, it's most likely because you've used it before as an advanced way of sharpening images. To smooth and soften the woman's skin, we're going to use Photoshop's High Pass filter. Step 3: Apply The "High Pass" Filter To "Layer 1" The only reason we've changed the blend mode to Overlay is so we can see what we're doing in the next step. This increased contrast and color saturation can make for an interesting effect on its own, depending on the image you're using, but it's not the effect we're going for here. I was really impressed with this feature.The image now appears with increased contrast and color saturation after changing the blend mode of "Layer 1" to "Overlay".
#PHOTO GLAMOUR SMOOTHING EFFECT SERIF MANUAL#
However, Gimp has this Stack Mode feature and it’s free. Then, I will compare the manual method in Photoshop with Affinity Photo, using Live Stacks. If you have previous versions of Photoshop, the Stack Mode feature is only available in extended versions, not standard, unfortunately. There is an automated way to do this with the Stack Mode feature, which I believe is in Photoshop CC. Although, I would recommend you use a tripod.įirst, I’ll demonstrate this effect using a manual method in Photoshop CS6 (standard version). This article will demonstrate how you can achieve a similar result by taking a bunch of photos in continuous mode without using any filters or a tripod. But, I hope this technique may serve as a stepping stone or inspiration to go out and capture silky waters, clouds etc., in-camera. I’m not advocating that this technique in post editing is a replacement to going out and achieving long exposures out in the field, far from it. But, is there a way to simulate this effect in Photoshop or other post-processing software? Yes there is! It does require that you take multiple shots. So taking long exposures during the day is an involved process, especially if you want to create that smooth, silky water effect in-camera. ND filters block out the light in terms of stops. On top of which, you have to get the exposure right, which requires a bit of math and experimentation. These type of filters are required for long exposures during the day, so that your shutter speeds are slow enough, possibly one minute or more to get that misty look. However, I personally don’t own ND or polarizer filters.
#PHOTO GLAMOUR SMOOTHING EFFECT SERIF ISO#
Wide angle lens and the camera settings using a small aperture of f/22, ISO 100.A remote shutter release or your camera’s timer.Slow shutter speeds – the need for a tripod.The gist to achieving this, and I do stand corrected if I have this wrong, is as follows: Smooth water effect edited in Affinity Photo using the Live Stacks feature.Įven if you don’t shoot landscape photography, photos of waterfalls with the smooth water and glassy appearance are awesome.
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